Week 6 | Scene Adjustments

As per suggestion, I changed the species of tree and pushed them way into the background.

Week 5 | Shader Balls and Camera

SHADER BALLS

CAMERA

Worked together with Dhairiya on refining the camera and blocking out the scene. This was one of our early camera blocks.

Week 4 | Environment Work and Timeline

Blocking in environment geometry. No shaders or texture work yet.

We also created a rough timeline for the work we would be doing over the semester.

Week 3 | Third Concept Pass and Diagnostic Spheres

 

Third pass. We focused on mood and lighting for the concept, and to refine the shape in the background. It was also suggested we make the wires out of a material similar to fiber optics, and have lights travel through the cables.

The new concept was to have the lights travel into the background shape to reveal the silhouette of the shape similar to a lighting strike.

DIAGNOSTIC SPHERES

Week 2 | Second Concept Pass

A second go at the concept. We were told to narrow the focus and connect the object in the background to the hole in the RV, so we changed it to a mess of wires in the background, and a few stray wires in the midground leading up to the hole in the RV.

Week 1 | Logotype and Pitch

TITLE

INITIAL PITCH

Martin is a facility manager who works and lives in a salvage yard with his dog Spud. The scene opens with a static shot, with a close up on a rear view mirror of a scrap car. The camera moves through the abandoned vehicles, towards Martin’s R.V. As the camera moves we the RV, the door unhinged, dog bowl, the inside of the RV, increasingly disheveled as the camera progresses. The camera slows down as the dog cage comes into the frame. It is mangled, showing signs of struggle; Blood seeping in from off frame, soaking on the fabric which is hanging on the cage. The camera slightly closes in on the fabric, as the blood spreads through the fabric, directing the camera to the edge of the fabric, unveiling, a colossal mysterious structure, with its top piercing the clouds.